Siirry pääsisältöön

Ateneum Art Museum in Google Art Project

Great News for the Finnish Classical Art

Got just message from Facebook wall. Ateneum (National Gallery of Finland) pages for the Google Art Project have been published today. Google Art Project's ambition is to collect the best of the national treasures around the world and bring them alive to everyone in the world.

What is specific for such a art lover than myself is that you can get closer to the paintings through the internet than in real galleries. You get the details of brush work and colours better from the high resolution images than from the real ones.

Today, Google Art Project have artwork from 230 different galleries.
Eero Järnefelt's Under the Yoke photographed with Google's Gigapixel technique. You can go even closer. Click the link below.

Thank you for the Great Name, Our Ancestors!

Now, when pages opened in the internet we can congratulate our ancestors when they named our National Gallery as Ateneum. It's a bit odd name for the Finnish art museum and it refers to the Greek Goddes Pallas Athene, who was the Goddes for wisdom, kowledge and the Art of War.

Now in the era of inernet this means that Ateneum will be one of the first galleries appearing in the list of the museums in the Google art project. Everyone, working with the sales portals in the internet - or application stores - know that the placement is crucial for the hits. It's the matter of the shelf placement.

As a result, Ateneum will always be one of the first art museums in the collection pages.

Ateneum Art Museum in the Google Art Project


Collection

Google Art Project displays 55 pieces of work from Ateneum. Works are from the golden period of the Finnish Art and artists like Hugo Simberg, Axel Gallen-Gallela, Eero Järnefelt, Pekka Halonen and many others are presented. Also foreign art in the collection is in display, like Van Gogh's last work Street in Auvers-sur-Oise.

One of the Eero Järnefelt's painting (Under the Yoke) is photographed with so called giga pixel method which makes it possible to get very close in to the details of the painting. That is very impressive indeed.

Simulacra

Of course, simulation or digital representation are not the same thing than seeing the art work in real life. Virtual art gallery is thus not a competitor with the real museums. The original is always the original. It's kind of artspotting. But the gigapixel technique by Google creates an add on to this idea of originality. I have now studied several gigapixel paintings and it is impressive to see how artists really put effort in to the smallest details - amost unseen to viewers.

Enjoy the visit to the virtual Ateneum!


Kommentit

Tämän blogin suosituimmat tekstit

Slavery was abolished in USA in 1865, in Finland it was done in the 1950's

In 2010 Finland's National Brand Committee lead by former Nokia CEO Jorma Ollila presented its paper to a former Foreign Minister Alexander Stubb. The committee stated proudly that Finland was the forerunner of democracy since Finnish women became the first in the world to have unrestricted rights both to vote and to stand for parliament. But something was left out from the report. Something which was part of the Finnish Social Policy in many decades of the 20th Century. In many countries this would be called slavery. And this is something which is quieted story of the Finnish history. A modern time slavery. Finnish historician Jouko Halmekoski writes about the modern slave market which was the fact in Finland as late as in the 1950's. He interviewed 25 persons who had been auctioned away by the local government in order to save money in sustaining the children. The lowest bidders won the custody of the child for one years period. Ironically the auction was held in the 29

Today's Rudolf Koivu would be a Game Designer

Rudolf Koivu (1890 - 1946) is one of the illustrators which has affected me most. Even if Finland's most known illustrator died already in 1946 there is no one which has escaped Koivu's sensuous lines, magical creatures from childrens' stories and Christmas cards. I claim, Koivu is for Finns the same than Carl Larsson for Swedes or Mucha for Czechs. Or perhaps even more than that. Last summer I visited an exhibition full of Koivus drawings to different Childrens' stories. It blew my mind out. Pictures to the stories by Grimm, Topelius, Andersen were all presented. Thinking of the fact that the world was not full of images Koivu's characters, trolls, sceneries and mystical creatures were amazingly original ones. Unlike today's illustrator who has grown in a world full of images, Koivu had to bring these creatures from his mind. That is a thing which often has been neglegted. My first memories of Koivu, though I did not know that by then, were the sensuous cov

Kasvien keruu ja herbaario - prässäämisohjeet

1970-luvun peruskoulu-uudistus unohti kasvion! Kuulun siihen peruskoulusukupolveen, jonka ei tarvinnut kerätä kesälomansa aikana herbaariota eli kasvikokoelmaa. Se oli sääli, sillä pläräsin useasti veljeni keräämää upeaa 50 kasvin kokoelmaa. Selasin usein sen sivuja ihastellen kauniisti kuivattuja ja prässättyjä kasveja. Olisin halunnut koota sellaisen itsekin. Se jäi, kunnes vihdoin tänä kesänä pääsin kannustamaan poikaani hänen kasvinkeruuretkillään. Sain seuratakin häntä ja hänen serkkujaan metsien siimekseen ja peltojen pientareille. Hienointa oli, että hänen opettajansa jopa kannusti vanhempia ja isovanhempia sekä lapsia liikkumaan yhdessä luonnosta nauttien - kunhan lapsi valitsisi poimittavat kasvit. Matka aurinkoisella soratiellä kohti luontoa ja kerättäviä kasveja. Kasvienprässääminen palasi takaisin Jossain vaiheessa kasvien kerääminen palasi peruskoulun opetussuunnitelmaan. Vapaaehtoinen, mutta numeroon positiivisesti vaikuttava, kasvikokoelma kerätään yleis